Besides “The Boys Are Back In Town,” among Downey’s recorded high points are “Emerald” and “Cowboy Song,” also from the 1976 album Jailbreak, the version of “Sha-La-La” on 1978’s Live And Dangerous, and “Roisin Dubh” from 1979’s Black Rose. As a teenager Brian forged a life-long musical alliance with local singer and bassist Lynott, and the combination of Downey’s rock, jazz, and blues talents and Lynott’s unique strumming and circular bass playing became the core and essence of Thin Lizzy’s sound. ![]() His father also passed along a love of the records of West Coast blues man Eddie “Cleanhead” Vinson and Chicago’s Oscar Brown Jr. Besides Lynott’s imposing presence, the group counted among its ranks several burning guitarists (including late great six-stringer Gary Moore), and in Brian Downey a highly skilled drummer with explosive chops, a fine sense of dynamics, and one of the sweetest grooves in heavy rock.ĭowney grew up in Dublin, the son of an Irish pipe band drummer. ![]() Lizzy’s sound was part proto-metal, part pub rock, and part heavy soul, a musical amalgam that perfectly reflected the concerns of their punk-poet laureate, Phil Lynott. It also boasts an unstoppable uptempo shuffle groove courtesy of founding drummer Brian Downey. ![]() Music fans outside of Ireland by and large know Thin Lizzy and the band’s drummer, Brian Downey, from their 1977 hit, “The Boys Are Back In Town.” The song features one of the greatest guitar riffs and some of the most memorable lyrics of the classic rock era.
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